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Original Title:	Art & Fear: Observations on the Perils (and Rewards) of Artmaking
ISBN:	0961454733 (ISBN13: 9780961454739)
Edition Language:	English

Art and Fear: Observations on the Perils (and Rewards) of Artmaking

David Bayles

Paperback | Pages: 122 pages

Rating: 3.72 | 68065 Users | 971 Reviews

Mention Of Books Art and Fear: Observations on the Perils (and Rewards) of Artmaking

Title	:	Art and Fear: Observations on the Perils (and Rewards) of Artmaking
Author	:	David Bayles
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 122 pages
Published	:	April 1st 2001 by Image Continuum Press - Image Continuum Press (first published 1993)
Categories	:	Art. Nonfiction. Language. Writing. Self Help. Philosophy. Psychology. Art Design

Representaion To Books Art and Fear: Observations on the Perils (and Rewards) of Artmaking

"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."
--from the Introduction

Rating Of Books Art and Fear: Observations on the Perils (and Rewards) of Artmaking

Ratings: 3.72 From 68065 Users | 971 Reviews

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The short review: I will be sleeping with this book under my pillow from now on. I find the very sight of its cover inspiring and must resist clutching it to my breast at all times like a talisman. The long review: The authors write that the book is the result of years of discussions about what artists -- regardless of the type of art -- have in common, and they come up with some very real, practical, and spiritual (in the best way) suggestions. The authors address the question of not "why do we

The few couple of chapters are very helpful for anyone trying to keep on, or restart, making any kind of art. The rest, aimed at full-time, professional artists (of any type) I found too dependent on shaky metaphors, misunderstanding of science and history, and filler.

Inspirational. I like stories that are balm to my artistic lateblooming. Calms the inner turmoil of yet another month, year, without publication. It makes the drawersful of scribbled foolscap, of slapdash characterization, of hours of unpresentable efforts a little less of a tell-tale heart. It makes things okay to know that the Mozarts are one every couple hundred years, yet great art gets made all the time. Just work at it. It is a helpful, boost of a book in the vein of Pressfield's

I could really relate to the first third of this book and found it very motivating as an artist. After that, it got less and less interesting and more and more vague. My favorite quotes/sections from the first part:pg 3 "Even talent is rarely distinguishable, over the long run, from perseverance and hard work."pg 5 "The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your work that soars." pg. 15 "Imagination is in control whenyou

Popular and familiar with my friends; it was my first read. Favorite passages:"Art is like beginning a sentence before you know its ending...tolerance for uncertainty is the prerequisite to succeeding [at making art].""Talent...is 'what comes easily'... a gift" yet the author reminds us that "whatever you have is exactly what you need to produce your best work. There is probably no clearer waste of psychic energy than worrying about how much talent you have...Talent may get someone off the

This book reminded my of Julia Cameron's The Artist's Way, but without all the parts that totally pissed me off like typos, the expression of stupid ideas about artists (although in fairness she was pointing out the stupidness) and lame exercises. This is about why we fear creativity and by understanding our fears, we can conquer them, as we all know. I don't have a lot of fear about making art but many of the fears described in this book, such as pleasing others, being accepted and/or