Itemize Of Books The Broom of the System
| Title | : | The Broom of the System |
| Author | : | David Foster Wallace |
| Book Format | : | Paperback |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 467 pages |
| Published | : | May 25th 2004 by Penguin Books (first published January 6th 1987) |
| Categories | : | Fiction. Novels. Literature. Contemporary. American |
David Foster Wallace
Paperback | Pages: 467 pages Rating: 3.84 | 18617 Users | 1473 Reviews
Interpretation Toward Books The Broom of the System
Published when Wallace was just twenty-four years old, The Broom of the System stunned critics and marked the emergence of an extraordinary new talent. At the center of this outlandishly funny, fiercely intelligent novel is the bewitching heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio. Lenore’s great-grandmother has disappeared with twenty-five other inmates of the Shaker Heights Nursing Home. Her beau, and boss, Rick Vigorous, is insanely jealous, and her cockatiel, Vlad the Impaler, has suddenly started spouting a mixture of psycho-babble, Auden, and the King James Bible. Ingenious and entertaining, this debut from one of the most innovative writers of his generation brilliantly explores the paradoxes of language, storytelling, and reality.
Be Specific About Books Supposing The Broom of the System
| Original Title: | The Broom of the System |
| ISBN: | 0142002429 (ISBN13: 9780142002421) |
| Edition Language: | English |
| Characters: | Lenore Beadsman, Rick Vigorous, Candy Mandible, Andy (Wang-Dang) Lang, Melinda (Mindy) Metalman, Clarice Beadsman, Stonecipher LaVache Beadsman, Stonecipher Beadsman III, John Beadsman, Patrice LaVache Beadsman, Vlad The Impaler (TBODS), Dr. Jay Curtis, Norman Bombardini, Mr. Bloemker |
| Setting: | Cleveland, Ohio(United States) |
Rating Of Books The Broom of the System
Ratings: 3.84 From 18617 Users | 1473 ReviewsEvaluate Of Books The Broom of the System
It feels weird calling DFW playful, but it's very hard not to get caught up in his linguistic acrobatics here. This is really good writing. It's a strange but effervescent balance of casual formality and rule-following goofiness. It also feels quite a lot sharper than Infinite Jest and The Pale King - like Wallace was writing with the intent to entertain first, edify second. Early enough in his craft that he was still eager to please, perhaps? Hadn't fully come into that pretentious image of thethis was published 10 years before Infinite Jest. much like in IJ, every single character in this novel is broken, defective, missing some vital piece. one is missing a leg, one is missing a penis, many lack morality, or empathy, or confidence, or even any self-identity. but in infinite jest, you end up really liking a bunch of them -- their defects make them lovable, or you love their good qualities in spite of their defects. but in this novel, i sort of grew to despise all but one. i pinned
I am angry at myself for finishing this book. It was a total waste of time. The only reason I did finish it was because the author introduced multiple story lines that had NOTHING to do with each other, and I was intrigued to see how Wallace would tie it all together. Which he did not do. At all. "Lets see, I'll have my extremely boring main character's grandmother escape from a nursing home, then completely ignore that point while I have her and her boyfriend lay in bed and tell random short
This is my introduction to DFW. This book is pretty impressive for being written by a 24-year-old. The problem is this book doesn't hold together really well. It feels like it has a plot but in the end you think about it and it didn't really have one. I didn't care too much for the end of the book and I felt like even though there were a lot of really funny parts, most of the humor is very awkward. I do want to go deeper into Wallace's works.
I could very theoretically start listing the shelves where this touches upon, but I'd rather just say that this is a first novel most cocaine heads listening to the middle days of heavy metal would want to write if they were hopelessly in love with with the craziest *roughage* post-modern deconstructionists willing to push all narratives into wonderfully feathered *roughage* prose that's more absurd mixed wth frame within frame within frame *roughage* stories that are linked so very vividly with
"I think I had kind of a mid-life crisis at twenty, which probably doesn't augur real well for my longevity. So what I did, I went back home for a term, planning to play solitaire and stare out the window, whatever you do in a crisis. And all of a sudden I found myself writing fiction."It was 1986 and he was 24 years old when it was published. He began writing it fresh out of a fairly tumultuous mental health crisis at age 22 (or as he put it "a young 22") while simultaneously writing a highly
It was the tree frog story. The story about the Thermos woman who is always in profile, hiding under scarves and out of the way of all human connections. It was the tree frog that lived in the hole in her neck, and he through holes in the scarves around her neck. The tree frog that she nurtured and resented. Symbiotic amphibiotics. That was a part of her and yet not apart of her. This whole other not self thing that kept herself out of everything else. And the tree frog can only blink sadly, and
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