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Original Title:	他人の顔 [Tanin no kao]
ISBN:	0375726535 (ISBN13: 9780375726538)
Edition Language:	English URL https://www.penguinrandomhouse.com/books/198/the-face-of-another-by-kobo-abe/

The Face of Another

Kōbō Abe

Paperback | Pages: 238 pages

Rating: 3.78 | 3177 Users | 225 Reviews

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Title	:	The Face of Another
Author	:	Kōbō Abe
Book Format	:	Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 238 pages
Published	:	February 4th 2003 by Vintage (first published 1964)
Categories	:	Fiction. Cultural. Japan. Asian Literature. Japanese Literature. Science Fiction

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Like an elegantly chilling postscript to The Metamorphosis, this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by him.

His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such a mask is more than a disguise: it is an alternate self–a self that is capable of anything. A remorseless meditation on nature, identity and the social contract, The Face of Another is an intellectual horror story of the highest order.

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Ratings: 3.78 From 3177 Users | 225 Reviews

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"The face of another" is a classical Abe novel that has all his hallmark features: verbose, erotic (unusually mild in this novel), with penchant for excessive philosophical rant. This novel was written in the format of a note left by a man, whose face was disfigured in an accident, to his wife. In the first part he argues the significance of one's face for social interactions and the features that constitute different face types. In the second part he talks about his social experiments after

This is by far my favorite of Abes novels. Mainly due to the odd tension he is able to sustain through long, often philosophically concerned monologues of a man who, after burning his face, decides to fashion and wear a mask in an effort to locate the social effect of the self and how that self can be split. It kept reminding me of a more universally centered American Psycho, 30 years before Elliss, with even more layering of psychological effect and more eerie calm as the narrator continues

One of the best I've read in a long time. Upsettingly timely, depressing, but made me laugh. It has seams that you can see and see through -- who cares. There's no hope for our species.

I once read a line somewhere person word is derived from a Greek root Persona which literally means A Mask. Arent we all masks amid myriad of masks? Does our personality change if our face is changed? Do we start behaving differently if we were liberated from the bogey of the face whose identity defines us?These are just few questions whose answers begs more questions than the answers itself. When I read the excerpt of this book, I thought it might an extension of those 20th century gothic

The Face of Another [1964] ★★★★★We are what we pretend to be, so we must be careful about what we pretend to be (Kurt Vonnegut). After enjoying The Woman in the Dunes [1962] over the summer, I have now read The Face of Another by the same author (translated from the Japanese by E. Dale Saunders). In this story, which is narrated through three notebooks (diaries), we are told of a scientist who gets facially disfigured while conducting an experiment in a laboratory, and struggles from then on to

I have been sampling a number of Japanese novelists recently, so I thought I'd give Kobo Abe a try. The blurb and initial few pages of 'The Face of Another' suggested I was in for a Kafkaesque experience, which I was... up to a point. The premise of a man whose face has been destroyed in a laboratory accident, and who attempts to build a new face for himself, sounded promising. Unfortunately, I found the pace and marshalling of events (such as they are) slow and rather flaccid: very wordy, and

Tried to do a "bilingual reading" of this novel by simultaneously reading it with the original text in Japanese. But it turns out that just because you can kind of order food and hold one-minute conversations in the language doesn't automatically translate into the ability to tap into the wealth of its literary tradition, much less a novel that is already complex enough in itself (big surprise). Book's great though, please do give it a read and watch Hiroshi Teshigahara's adaptation of it if you